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Guide to Estepa, Spain

 

 
 
 
Estepa is to be found just off the A92 highway, slightly above Malaga in Andalucia and is a perfect stop over between Seville and Granada. Over recent years, Estepa has grown to accommodate a swelling population and the residential part of Estepa offers nothing for the visitor. The old town however, offers a wealth of monuments and churches. The town has retained its typical Andalucian atmosphere, very similar to nearby Antequera. The town is very peaceful and its a pleasure to walk the narrow streets, lined with white-washed Andalucian houses with churches dotted between.

Estepa is surrounded by wheat fields and olive groves. The town is famous for its olive oil and its cakes, made from the local flour. The people of Estepa are friendly and welcome visitors; there are not too many foreigners that make their way there.

 

For the best view of the town, head for the castle and the mirador.

 

There are several important monuments to visit in Estepa and several beautiful churches. Here are just a few of them.
The Victoria Tower
This tower, declared a National Monument in 1955, is the only trace that remains of the disappeared church of "La Victoria" which belonged to the convent of the Father Minims of this town. The Minim Friars arrived in Estepa in February 1955.Their arrival was sponsored by the Marquis of Estepa, Marcos de Centurión, who had, as these Friars an Italian origin. They had a close link, and the marquis donated wheat and money every year. The convent and the church of "La Victoria" were characterised by the splendour of the artistic works that ornamented the temple. The decadence that this order underwent caused the collapse of their buildings that began with the processes of "decloistering" of the 19th century. The monks left Estepa in 1835.

 

 

The church had a Latin cross ground plan with one only nave covered by a barrel vault. The presbytery was covered by an onion dome. The scallops where the dome lay had the coat of arms of the marquises of Estepa. The tower is preserved with the same beauty and splendour of 1760 when it was built. The church had to be demolished in 1939, even though it was not in ruins. The tower is 40 metres high and it has five bodies. Bricks were used in its construction, although there is a good quantity of stone used.
Santa Clara Convent
This convent is located at the highest part of the village, within the old walled site, at the rear of the church of "Santa María". This is the eastern part of the hill of "San Cristóbal". The first nuns of this convent were the two daughters of the marquises who founded it in 1599. The front of the convent is made of stone, with a proto-baroque design. It has a divided pediment, scrolls and pinnacles. There is a niche with a sculpture of "Santa Clara" around which are three coats of arms: the Centurión's family, the Fernández de Córdoba's family and the one of the Franciscan Order. Inside the convent is just one nave with a barrel vault over arches, and an onion dome over scallops in the front part of the presbytery. The main altarpiece is the centre of attention. The church has harmonious proportions and a good distribution of the altarpieces and the ornamentation of the walls. It has a baroque style and a Solomonic order and was built by Pedro Ruiz Paniagua. In the "manifestador" (the place where the Holy Sacrament is exhibited) we find the sculpture of the Virgin of "El Pilar".
 

 

 

 

 

 

At the front, the wrought-iron gate is an important work made about 1700. Inside this fenced area we find two "twinned" altarpieces of a Solomonic order. Stylistically they are related to the main altarpiece. In the Gospel side we find the Blessed Virgin (la Inmaculada), a work of the Sevillian School. In the Epistle side we find Saint Joseph holding the Baby Jesus. The cloister has wonderful sculptures like the one of Our Lady of "El Rosario" (1620), the "Ecce Homo" (1650), "Santa Catalina de Alejandría", and different sculptures of the Baby Jesus (18th and 19th centuries). Its most remarkable sculptures, however, are "San Joaquín" and a Crucified Christ by Luis Salvador Carmona. Among the gold and silver articles we can highlight an Italian reliquary from the end of the 16th century and two Monstrances, one dating from the end of the 16th century and one dating from the first quarter of the 17th century with a chalice matching it. The main altarpiece was built with the money that the king Charles V owed to the marquis who granted this money (when paid) to the convent. The altarpiece was built with this money two hundred years later. In the same area you will find several other important buildings and the remains of the old city walls that encircle the hilltop. The ruins are visible from miles around.

 

 

 

 

 

 

 

 

Church of Del Carmen
In 1745 the fraternity "Rosario del Carmen" bought the houses near the temple to build the square known today as "Ntra. Sra. Del Carmen" where bull-fighting events took place at the time. According to the tradition and Carmelite belief, Our lady gave a scapulary to St. Simon Stock with the promise that anyone wearing the Carmelite habit and carrying the scapulary would enjoy eternal life. Our Lady of Carmelo is the protector of fishermen and